...in the early 1970s, when music still carried the warmth of tubes and tape, two young musicians, Duco and Ronnie, sat surrounded by cables, instruments, and ambition.

Fresh from their success with a hit song, they weren’t content to just play music anymore. They wanted to shape how it sounded.

​

So in 1972, in a modest Amsterdam space, they built their very first tube mixing console, a machine that didn’t just amplify sound, but gave it character. It wasn’t long before word spread.

Bands like The Cats and Kayak began to notice something different: these mixers were affordable, yet rich in sound and nearly impossible to overload.

What started as a part-time effort, just a handful of consoles a year, quickly grew into something bigger. By the time they moved to a canal-side building in Amsterdam, orders were already coming in from radio stations like Radio Veronica and Radio Luxembourg. The little workshop had become a place of innovation.

​

Growth demanded space, and space demanded vision. From Amsterdam to Weesp, each move marked a new chapter, larger teams, bigger consoles, and more ambitious designs. The 1980s brought powerful in-line mixers and a growing family of signal processors, while the 1990s forced a difficult realization: the market was changing.

More than fifty years after that first handmade console, the company had become something more than its founders imagined: a global name in professional audio, with products used in studios, radio stations, and film productions around the world.

​

​